For a person that cares about HD, I wouldn't think you'd write such a flippant comment on 24p. Also, many TVs are starting to accept that source and show at 72 or 120 hz. And I know some people don't see the judder, unless you point it out to them, and I hate that especially on the credits, and scrolling tickers sometimes that it is impossible to not notice. And sometimes nearly illegible.
Maybe I'm a purist, but I'd think most people seeing one way versus the other would deifintely prefer to choose the 24p when projected right.
I won't even get into the "artistic" aspects that some will discuss, because those are less pronounced to me and a high-speed scene on film can suffer from "motion-blur" so to speak, which is annoying and I'd prefer everything shot on digital and post-processed to use 48p, if you want a film like transfer, but with more frames for those fast scenes...
“An engineer explained to us that hundreds of ear impressions were gathered in the name of research, and while each one obviously boasted its own unique shape and size, one single characteristic remained uniform across the board: the entrance into the ear canal is not a perfect circle, it's an oval.”
Now that we've thrown 'em off the trail, use the form below to get in touch with the people at Engadget. Please fill in all of the required fields because they're required.
For a person that cares about HD, I wouldn't think you'd write such a flippant comment on 24p. Also, many TVs are starting to accept that source and show at 72 or 120 hz. And I know some people don't see the judder, unless you point it out to them, and I hate that especially on the credits, and scrolling tickers sometimes that it is impossible to not notice. And sometimes nearly illegible.
Maybe I'm a purist, but I'd think most people seeing one way versus the other would deifintely prefer to choose the 24p when projected right.
I won't even get into the "artistic" aspects that some will discuss, because those are less pronounced to me and a high-speed scene on film can suffer from "motion-blur" so to speak, which is annoying and I'd prefer everything shot on digital and post-processed to use 48p, if you want a film like transfer, but with more frames for those fast scenes...
/rant