It's more than just "punching values into DSPs". It is hugely taxing on the 2 DSP within the D2 to process 7.1 channels at 192 kHz (everything is up-converted.) This feature pretty much maxes-out the DSPs. The AVM-50 won't get the room correction upgrade because the DSPs are not powerful enough.
hifiaudio2: This will be taxing the amp too much? I don't think so. Most poeple have the D2 paired with very high power separate amps, such as Anthem Statement P5 and P2. Room correction won't be a problem. http://statement.anthemav.com/HTML/Products/P_Series/P_Series.html
“An engineer explained to us that hundreds of ear impressions were gathered in the name of research, and while each one obviously boasted its own unique shape and size, one single characteristic remained uniform across the board: the entrance into the ear canal is not a perfect circle, it's an oval.”
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It's more than just "punching values into DSPs". It is hugely taxing on the 2 DSP within the D2 to process 7.1 channels at 192 kHz (everything is up-converted.) This feature pretty much maxes-out the DSPs. The AVM-50 won't get the room correction upgrade because the DSPs are not powerful enough.
hifiaudio2: This will be taxing the amp too much? I don't think so. Most poeple have the D2 paired with very high power separate amps, such as Anthem Statement P5 and P2. Room correction won't be a problem. http://statement.anthemav.com/HTML/Products/P_Series/P_Series.html