Panasonic's forthcoming mirror-less multimedia wonder has been given a release date. Yep, the Lumix GH3, with its 'unlimited recording time' and magnesium alloy build, will arrive in the Land of the Rising Sun just over a month from now. While the Japanese press release doesn't specify pricing, you can expect this Lumix to arrive in body-only and two lens kit variants, one with a 12-35mm f/2.8 zoom lens, and another with a f/4.0 - 5.8 rig. Behind those optic options (not to mention the ability to capture 72Mbps 60p video), you'll be getting a 16-megapixel sensor, splash-proof shell and a flip-out OLED touchscreen alongside a 614K-dot viewfinder. If that leaked video sample piqued your interest, check out the full spec rundown at the source below.

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Source: Panasonic Japan (translated)

It's not a secret in the least thanks to a video slip-up by Panasonic a few days ago, but today the company is ready to officially announce the successor to its venerable GH2, the Lumix DMC-GH3. This Micro-Four Thirds mirrorless shooter is nearly as big as some entry-level DSLRs, but it's loaded with features to make up for it. Packed inside its dust- and splash-proof magnesium alloy body, you'll find a 16.05-megapixel Live Mos sensor that'll handle 200 to 12,800 ISO natively with extension from 125 to 25,600. Aiding it is Panasonic's latest Venus engine, which enables 6 FPS burst shooting (20 in 4-megapixel mode).

Notably, Panasonic is pushing this as a "multimedia" shooter given its robust video features. Unlike many ILCs, the GH3 touts unlimited recording time, so you won't be held back by the likes of the camera overheating -- sadly, the approx. 29-minute recording restriction for PAL regions is in place however. You'll be able to shoot in either MP4, MOV, AVCHD or AVCHD Progressive, with a maximum bandwidth of "72 Mbps (ALL-Intra) / 50 Mbps (IPB)." The formats can be recorded using frame rates of 24, 30 and 60p (excluding MOV and AVCHD), and you'll even be able work with SMPTE time-codes for syncing footage easily in post production.

Gallery: Panasonic Lumix DMC-GH3 hands-on

On back, there's an articulating 3:2 614K-dot OLED touchscreen, which can be used for tap-focusing while recording video, along with a 16:9 1,744K-dot OLED view finder -- both of which provide 100% frame coverage. Thanks to included WiFi connectivity, you'll be able to control the camera from your mobile device -- although, its HDMI out may be better suited for film-making. Along the side, there's a duo 3.5mm jacks for monitoring and recording audio straight from the camera with a mic of your choosing or a Panasonic's optional shotgun mic. Speaking of accessories, an F2.8 35-100mm lens will also be introduced with the camera, touting a dust- and splash-proof design. There's no word on price just yet for the GH3 or its accessories, but we're told the camera will hit shelves for a number shy of $2,000 when it's released later this year. The unit we got eye-on time with was an admittedly rough and early build, but you can check it in detail at the gallery above while we get some more impressions at Photokina. You'll also find extended details in the press release after the break.

Zach Honig contributed to this report.

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We enjoyed our short time with Panasonic's new mirrorless G5 in our hands-on last month, even if it was a little on the porky side. And, if you hail from the Land of the Rising Sun and had your heart set on one of these 16-megapixel shooters, Panny's announced you'll get your chance from September 13th. We're getting dangerously close to missing the stateside launch target of August, but where the US website is showing the G5 as unreleased, availability on Amazon tells a different story. We're reaching out for confirmation on that -- as well as pricing -- and will update should we hear more.

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Source: Panasonic (1), (2), Amazon

Your smartphone can take pictures, you say? Well, sure it can, but try snapping away at a frat party -- you're likely to walk away with a blurry mess. Your Facebook friends and future employers deserve an accurate account of those glory days, and you'll need a proper snapper to get the job done. College is as good a time as any to learn responsibility, but don't expect to walk out of the experience with all your gear unscathed. To that end, freshmen should look long and hard at our point-and-shoot picks, which include models that you won't be afraid to toss around, or drop in the jungle juice. After that come the mirrorless ILCs, which should satisfy the more advanced photogs in the bunch, followed by our digital SLR picks, which, sadly, may be out of reach of all but photography majors and deep-pocketed private school types. Finally, you'll have yet another opportunity to enter our fantastic giveaway at the bottom of the page, just after the break.

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Adapters to fit Canon's EF lenses on Micro Four Thirds and NEX camera bodies most definitely aren't new. Without any electronic link, though, that Lumix GX1 or NEX-F3 owner has had to focus by hand, sometimes without any aperture control -- what year is it, 1930? Kipon wants to make sure you'll never have to stoop to that level again through a pair of new adapters that keep the electronic controls working. As always with these parts, there's likely to be catches: we don't know the prices and ship dates, for one, and lens conversion can still hurt the autofocus speed. Even so, anyone who's been hoarding (or simply envious of) Canon glass now doesn't have to eye an EOS-M just to get a mirrorless camera with the lens adapter they crave.

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It's been nearly half a year since Panasonic's Lumix series of cameras got any new members, but today the company is introducing three more shooters to the family. First up is the DMC-G5, the latest addition to the company's Micro Four Thirds lineup. It's the successor to the G3 and packs a 16-megapixel sensor capable of shooting 1080p videos at 60fps and stills in up to 6fps bursts at a max 12,800 ISO at full resolution. The G5's LVF has a proximity sensor to automatically switch between it and the camera's 920,000-dot capacitive screen depending on which one you're using to frame your shots. When the G5 goes on sale next month, you'll have your choice of black, silver and white models.

Gallery: Panasonic Lumix DMC-G5 hands-on

In addition to the G5, Panasonic's also introducing a new superzoom camera, the DMC-FZ200 and a high-end DMC-LX7 point-and-shoot. The FZ200 replaces the FZ150 and pairs a 12-megapixel sensor with a 25-600mm constant f/2.8 aperture Leica Elmarit lens with nano surface coating to reduce flare and ghosting. It has a 24x optical zoom and shoots 1080p video at up to 60fps along with stills in up to 12fps bursts, though its max ISO is only 6,400. Meanwhile, the LX7 has arrived sporting a 10-megapixel sensor and a 24-90mm, f/1.4-2.3 Leica Summilux lens with the same nano surface coating as the FZ200. Like its Lumix brethren, it shoots 1080p video at 60fps, and shares the same maximum 12,800 ISO as the G5. It'll be available in black and pearl white when it ships in August. We got to spend some time with all three, so join us after the break to learn a bit about what its like snapping pics with this trio of Panasonics.

Gallery: Panasonic Lumix DMC-LX7 hands-on

Gallery: Panasonic Lumix DMC-FZ200 hands-on

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A story published and then pulled by The Telegraph has revealed a range of new Panasonic cameras, including the new Lumix DMC-G5. The snapper will reportedly roll up with a 3-inch screen, a 16-megapixel Venus Engine VII sensor and a smoother, more rounded body. It should shoot Full HD video, crank up to ISO of 12,800 and find its way to the market as an entry-level kit costing £599 ($937), topping out at £879 ($1,375).

If a flagship ILC isn't your thing, then you may be tempted by a bridge shooter, the DMC-FZ200, which comes with a rather powerful 25-600mm lens capable of maintaining a f/2.8 aperture at any focal length. The company will also be outing the DMC-LX7 compact camera that'll offer full manual control as well as "decent" low-light photography. Details are thin on the ground, but since the company's expected to make an official announcement tomorrow, we shouldn't have too long to wait.

Update: We've had an email in from a tipster who has found a picture of the FZ-200 and a snap of an otherwise unmentioned FZ-60, which we've included after the jump if you'd like to take a peek.

[Thanks, Alex]

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Leica has built a name for itself in the compact market over the years with a handful of Panasonic rebrands -- these Lumix models come equipped with a matte black housing, Leica lens and that famous red dot, with the inflated price tag to match. With this latest batch of cameras, the company appears to be taking a more respectable approach -- at least with its high-end X2. But first, let's tackle the V-Lux 40. On the Panasonic front, this camera looks strikingly similar to the Lumix DMC-ZS20 we saw emerge after CES. Both cameras include 14.1-megapixel 1/2.3-inch CMOS sensors, a 20x, 24-480mm f/3.3-6.4 optical zoom lens and 1080p video capture. The housing has been modified slightly to include a recessed control panel, Panasonic branding has been removed and the Leica logo added. Such luxuries more than double the camera's price from $269 to $699. Ouch. You can pick up the V-Lux 40 beginning today, or you can grab two virtually identical ZS20s for the same amount, with significant cash to spare.

You may remember the Leica X1, but you probably don't. This $2,000 shooter was determined to be overpriced when it launched way back in 2009, and now the APS-C-equipped series has returned for a refresh. Dubbed the X2, this year's flavor ups the ante with a 16.2-megapixel CMOS sensor (boosted from 12.2) while retaining that beloved $2k sticker price. The compact all-in-one includes a fixed 24mm Leica Elmarit f/2.8 ASPH lens, which the company validates as a "classical focal length for photojournalism," and a 2.7-inch 230k-pixel LCD on the rear. There's also an option to add a Viso-Flex 1.4MP viewfinder with a 90-degree swivel function, along with a shoe-mounted mirror finder. The $1,995 camera's price tag may be tough to swallow -- but only until you discover the gratis copy of Adobe Lightroom in the box. Both the ZS20 V-Lux 40 and X2 are available now. Snap past the break for the pitch from Leica.

Gallery: Leica V-Lux 40

Gallery: Leica X2

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It's been a bumpy ride for Panasonic's GF line of Micro Four Thirds cameras. The GF1, an excellent mirrorless camera for its time, was soon replaced with a less-capable entry level model, the GF2. Then another, the GF3. And now, it's time to say hello (again) to the GF5. For better or worse, the GF3 won't be going away -- it'll sit tight at its new $500 price point (with a 14-42mm kit lens), ready to confuse consumers looking to purchase its nearly identical, yet $100 pricier, pseudo-replacement. Both cameras come equipped with 12.1-megapixel Live MOS sensors, though the newer model adds a "High Picture Quality" distinction -- it's been dubbed a 12.1-megapixel "High Picture Quality" Live MOS sensor. So, naturally, we're going to expect some pretty incredible images. Panasonic has also added an ISO 12,800 "extended" mode (the GF3 topped out at a native ISO 6400). There has been a jump in the video department, with 1080/30p MP4 recording joining the 720p mix. Burst mode capabilities have seen an increase as well, from 3.8 frames-per-second to... 4. Finally, it's slightly larger, due to a more substantial (and more comfortable) grip, though battery life has dropped from 340 shots to 320, likely due to a new processing technique aimed at further reducing noise in low-light captures.

The GF3 and GF5 look so similar that we mistakenly photographed the former for a minute or two, only realizing the error when we flipped on the LCD. The 5 has a much-improved touchscreen, with a 920k-dot resolution (460k dots on the GF3). It looks gorgeous by comparison, but amateurs making the switch from a point-and-shoot may not take notice. The features they'll appreciate most relate entirely to the GUI, and include a highlight window for selection options, 14 filters with a realtime preview option, a background image that appears on the main menu and a filter recommendation while in Intelligent Auto. This feature works by suggesting that you apply the Expressive or Toy Effect if you're taking a macro shot, for example. Other additions include a stereo microphone for video capture, though the left and right mics are positioned oddly near each other -- on either side of the word "MIC" on the top of the camera, with the right mic angled towards the left -- so we can't image that you'll be getting a true stereo effect. Like its predecessor, the GF5 is clearly designed with beginners in mind -- more advanced photogs should consider the GX1 -- but with a $599 sticker price (with 14-42mm lens), it's sure to be a hit.

Gallery: Panasonic Lumix DMC-GF5 hands-on

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Gallery: Panasonic Lumix DMC-ZS20 and DMC-ZS15

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Gallery: Panasonic Lumix DMC-TS4 and DMC-TS20

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• Lumix DMC-S2 - $109.99
• Lumix DMC-FH6 - $129.99
• Lumix DMC-FH8 - $149.99
• Lumix DMC-SZ1 - $179.99
• Lumix DMC-SZ7 - $199.99

Gallery: Panasonic's Lumix line gets a lot more crowded

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Panasonic's Lumix line gets a lot more crowded

Panasonic Lumix GX1 Micro Four Thirds camera surfaces in leaked photos

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Gallery: Panasonic Lumix DMC-GX1 review

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Gallery: Panasonic's Lumix line gets a lot more crowded

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Gallery: Panasonic Lumix 3D1

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Gallery: Panasonic Lumix GX1 hands-on

Gallery: Panasonic Lumix GX1 press shots

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Gallery: Panasonic X-series Micro Four Thirds Lenses

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Gallery: Panasonic Lumix FX90

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Gallery: Panasonic Lumix FZ150

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Gallery: Panasonic Lumix DMC-G3

Gallery: Panasonic Lumix DMC-FH7

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Gallery: Panasonic Lumix Phone eyes-on

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